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ANNE BARNGROVER

  • Jun 9
  • 3 min read

Anne Barngrover is the author of three poetry collections, most recently Everwhen, which was published with University of Akron Press in 2023 and named the bronze medal winner in poetry for the 2023 Florida Book Awards. She is an Associate Professor of English and Creative Writing at Saint Leo University, where she directs their low-residency MA in Creative Writing program, and lives in Tampa, Florida.



BLOOD ARK


In the tidal ebbing, seashells grow

brown fur, noncalcareous material.


Their teeth crowd the hinge lines.

Moonlight reconsiders. My body


releases my body, a protein expression.

The edge of the sea is worldbuilding.


Shells appear shaped from milk glass,

smudged by grainy velvet. Waves


labor with diurnal precision. I siphon.

On the shore, seashells darken to look


like rocks. The live animal inside them

inks their ancient pigment, my birth


stone’s open vein. My body releases

its pathways. I have collected all my life.



THE ISLANDS ARE SILENT NOW


as they never were before. The tide

coughs productively, hushes in its sleep.

I search for harbor seals buoyed

by undulating waves, their heads sleek

as muted hills in iron rain. Wind tosses

rheumy particles. A gull smashes a crab

against the breakwater, its orange shards

a glass ornament’s, hand blown.

The loneliness of an island is the power

of a blank page. All life is worthy

for notetaking–invasive beach roses,

a scallop’s ecru tendon, the softest dog

in the coffee shop wearing the softest sweater.

But no one says a thing. Years later, I try to

calm my nephew during my sister’s recovery

and it’s all I can do to pace the curtained

corridor until he quiets in my arms as though

he’s just realized something impossible,

his expression like a mammal who's known

the deepest seas. When he learns to speak,

he calls me by my mother’s name.



THE ORIGIN OF MAGIC


My cat investigates a corner where blank walls meet.

Ferns ruffle in a selective breeze.


Millipedes dry in spirals, seeking water during late hours.

A candle ripens in a repurposed wine bottle.


And there’s the women’s choir keening in another language.

The arabesque structure of a spiderweb.


Dust assembles woolenly, lilac when discovered.

I find notes in my grandmother’s Auden twenty years after she died.


She died in bed as my aunt bathed her with a washcloth.

Still I dream of secret passages in every place I’ve ever lived.


Any stone is a worry stone if it can lead you to the sea.

My niece at two says, Good night moon, you’re home now and waves.


She doesn’t know what death is, but she’s getting closer.

She doesn’t know what death is but she knows.



IN LONDON


Abroad for three weeks and still recovering

from surgery, I wait for my systems

to regulate so that when I return, men can

experiment on my brain and ovaries.

Over the phone, my mother assures me,

You’ve always been a very determined person.

Friends text me, Just relax and enjoy.

My husband tries his best. We’ve planned

this whole itinerary, so I make an effort

to notice the hallmarks of an English spring:

the waterlogged, pink-brown roses

draped over cracked white gates; the tidy

squares of iced carrot cake flecked with sweet

violet petals, brought out for afternoon tea;

the cobblestones like many dark mirrors

reflecting lamplight in the evening showers.

Our permanently drenched shoes, stuffed

with paper towels. I have been warned

that anxiety can lead to worse outcomes

in my situation, meaning that it’s not enough

for me to get through this, but now I’m not

supposed to feel scared about it either.

It’s cold here, a lot of rain. Riverside alleys

smell of pub toilets and fried whitebait.

The Thames roils in the filth of something

silver. My husband leads while walking,

but I’m the one who navigates

the Underground, suddenly not so hopeless

at directions when they become a puzzle

I’m always able to solve. I’m in London,

after all. I eat the black daal, the pointed

cabbage, the leek and mushroom pie.

I drink the sugared tea. I drink the bitter ale.

In the city’s most sprawling garden, I follow

a red fox through a sudden field misted

with pale flowers, its tail bright and leading

as the comet my mother once thought

about naming me after but changed her mind.





 
 
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