ISSUE 07
Steve Evans. Oteeyho Iro. Charles Haddox. Zama Madinana. Taylor Graham. Natalie Harris-Spencer. Jason Lobell. Maggie Yang. Aaron Weinzapfel. Meredith Wadley. Asma Al-Masyabi. Linda Neal. Shilo Niziolek. David A. Porter.
JANE
WONG
Jane Wong's work appears in places such as Best American Nonrequired Reading 2019, American Poetry Review, Agni, Poetry, Third Coast, McSweeney's, Black Warrior Review, Ecotone, The Georgia Review, The Common, Shenandoah and This is the Place: Women Writing About Home. A Kundiman fellow, she’s received a Pushcart Prize and fellowships/residencies from the U.S. Fulbright Program, Artist Trust, the Fine Arts Work Center, Willapa Bay AiR, Hedgebrook, the Jentel Foundation, and the Mineral School. She is the author of Overpour from Action Books, and How to Not Be Afraid of Everything, forthcoming from Alice James in 2021.
BECAUSE I AM AFRAID OF DENTISTS
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I look it up on my phone “lock jaw left
side mouth” and scroll through photo
after photo of people who look
like they chomped straight through
the ivory grit of a deer skull. Yes,
that was my first thought. Why bite
something so hard it knocks off
your dearest mechanism,
hurling a train off its track, headed for
the trees? It’s been years since I’ve gnashed
a crab claw, hollowing through
shell. I vowed to chew
slowly, to masticate
matronly. I stopped swallowing fish bones
like flaming swords. Stopped gnawing globes
of slick avocado pits. Now,
lopsided, drooling through
the pines of my teeth, I
hinge off. Move my jaw up and down side to side, like an ice skater cutting
shoals of grief. Click, click – the tiny gears
of my jaw rusted, loose bolts
spewing a junkyard. When
the Bad One locked me out of the apartment, I tried
prying it open with a butter
knife. When I locked eyes with
the Disappearing One, I was wearing
an asymmetrical gala apple
dress. My jaw
anchored in an awful
sea. “Stress and anxiety are common” (leaking
proof, % of gaslighting) “causes of muscle” (a hummingbird
spasms awake) "tension”. I
hate the dentist, this stupid website, the ads
popping dandelions with miniscule
x’s to exit, hate that I am back here,
again. Click
click, goes my body, the wind-up chattering
joke teeth. Shouldn’t I know,
better? I try to call
my breath back, little pet
boa constrictor, volcanic belly
ballooning left, “Asian Americans report fewer”
(lock grin and bare jaw) “mental health
conditions,” left to
fester too long. Prehistoric ferns
of this Bad One and this Bad One and this Bad One and this
bad jaw, dangling scythe or
sickle moon sick. Because I am afraid
of dentists, because I am afraid
I turn my phone off, hurl
some poor dried slug drool
off my mouth-corner. Flop into
this poem, plead to this
“clenched” (something inside of me,
yolked) body: enough. Enough – I
hear you howling
CARRY WHAT YOU KNOW
TO LOOSEN THE WEIGHT OF WHAT YOU DON'T
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This morning, I heaved the clatter of pots and pans, each with a steaming
lid for some other vessel of seasoned healing. Was it morning? All dew and daffodils
loosening? Ants singing along a melted lollipop? Yes, the tide?
The purple starfish waving hello? No, the shades shuttered
in. The windows closed like a fist in fitful sleep.
Empty
parking lots, otherworldly luminosity. Coda. This morning, I heaved the splintered hum
of crickets in a whirring field, lugged each syrupy song. Was it
a song? What my grandparents sang in the hollow of hunger? Yes, ginger scented
memory? Fear of what we can not touch. Now, wrinkles along the brow,
a calligraphy too close to coda. This morning, I
heaved one leg and then the other. Still here, still walking past rows of bolted
garlic, tender sky, a reminder. Coda carried over. I some other vessel
healing loosening
the tide waving luminosity Co Heaved hum
each song sang what we can not Still here, still
a reminder this morning was it
memory? Touch?
Too close to past Tender reminder carried over